Moscow: Gosudarstvennoe uchebno-pedagogicheskoe izd-vo, 1931. Octavo (24.5 × 17.5 cm). Original pictorial wrappers 38, [2] pp. with 41-47, [1] pp. With an 8-pp. dictionary supplement folded and laid in as issued. Illustrations throughout. Light soil to wrappers; some chipping to corners of wrappers; still about very good. Intended for the..... More

A substantial collection of Polish concrete and experimental poetry, with over 50 original artworks and 37 books by artists such as Zbigniew Makarewicz, Marzenna Kosińska, Wojciech Sztukowski, Zbigniew Jeż, Hubert Koryzna, and Krzsystof Soliński, among others. The collection includes original works of concrete poetry, artist books, vintage photographs documenting poetic..... More

Tallinn and Tartu: Kirjanikkude Ühingu "Siuru" Kirjastus; "Odamehe" kirjastus, 1917-1919. Quartos (27 × 19.2 cm). Later buckram bindings, preserving original pictorial wrappers by Nikolai Triik and Ado Vabbe (front and back); 148, [2]; 115, [4]; and 134 pp. Three full-page illustrations by Triik (volume I), six full-page drawings, of which..... More

Tokyo: Kōyōsha, 1925. Quartos (26 × 19.3 cm). Original string-bound printed cardboard folders; each housing 1 leaf and 20 plates with reproductions featuring photographs of the pavilions and decorative arts objects. Occasional minor staining; else good or better. Japanese catalog of the important international decorative arts exhibition in Paris, which..... More

Buenos Aires: self-published, May 1952. Small folio (40.2 × 29.5 cm). Original pictorial self-wrappers; [8] pp. with numerous reproductions. Faint horizontal crease mark; else very good. Fourth issue of the art-theoretical journal of the Perceptivist group, who worked on the immanent problems of form in Concrete Art in their works..... More

Paris: Galerie Denise René, 1957. Octavo (24 × 16.8 cm). Original pictorial wrappers; 21, [2] pp. of text, 10 leaves of plates with lists of works exhibited to rectos. Association copy, inscribed by Henryk Berlewi to French art critic Robert Lebel in the year of publication. Wrappers somewhat toned; else..... More

Moscow: Muzei iziashchnykh iskusstv, 1924. Octavo (15 × 11 cm). Original staple-stitched printed self-wrappers; 14 pp. Lightly toned throughout due to stock, else very good. A catalog for the second exhibition of the avant-garde-adjacent group “Makovets”, which took a spiritual approach to art and stressed the importance of a continuity..... More

Prague: S.V.U. Mánes, 1934. Octavo (20 × 13.4 cm). Original printed light pink wrappers; pictorial dust jacket illustrated with a drawing by Toyen; 180, [2] pp. A very good copy in very good dust wrapper; very minor nicks to spine extremities. First Czech edition of Breton's essay, originally published in..... More

Funchal, Portugal, December 1971. Square light pink envelope with circular window, measuring 19 × 18 cm, with three folded leaves of red color stock (rectos white), folded to create a design visible through the window. About very good. Striking concrete art and poetry object by Portuguese writer, poet, and artist..... More

Santiago de Chile: self-published (printed by Herrera y Aldana), 1941. Octavo (19 × 13.5 cm). Original staple-stitched self-wrappers with reproduced collage by Braulio Arenas and a drawing by Cáceres reproduced on rear wrapper; [8] pp. Very good. Sole printed edition of this catalog for the first exhibition of the Chilean..... More

Tartu: Odamees, 1920. Octavo (21.8 × 17.7 cm). Original pictorial wrappers by Natalie Mei; 69, [1] pp. Wrappers very lightly worn and discolored; very good. First and only volume of this important publication of Estonian modernist art and literature, which marked a radical break with the “Siuru” movement around Marie..... More

Výškov na Moravě: Nákladem F. Obziny, 1923. Quarto (26 × 20.5 cm). Original pictorial wrappers; 110, [3] pp. Numerous plates, some full-page on coated stock, some tipped-in. Light wear and fraying to lower spine; very minor moisture stains to overlapping wrapper edges; overall still about very good. First and only..... More

Berlin: Knigoizdatel'stvo Gelikon, 1923. Octavo (20 × 13.5 cm). Original illustrated wrappers; 197, [1] pp. About very good; uncut and unopened copy; wrappers somewhat fragile; with light wear to overlapping edges. First edition of this avant-garde novel by Futurist and member of the Centrifuge group Sergei Bobrov (1899–1971), published by..... More