Herzogenrath, Wulf and Klemens Golf (and other authors). – Joseph Beuys, Ulrike Rosenbach, Richard Serra (and other artists).

[GERMAN VIDEO ART BETWEEN FLUXUS AND FEMINISM] Video: eine neue Kunst [Video: a new art].

Marl: Skulpturenmuseum Glaskasten and Adolf-Grimme-Institut, 1981. Square octavo (20.5 × 21.4 cm). Original pictorial wrappers; 60 pp. with reproductions of video stills. Wrappers fox-stained at lower edge and with larger scuff mark; leaves with very faint crease at the upper corner; one leaf detached from the binding; else good. Item #55018

Catalog for an exhibition of German video art, which was shown in April and May at the Sculpture Museum of the city of Marl. The internationally little-known city on the western edge of Germany is significant for the country's media landscape, as it is home to the most important media award in the FRG. The Grimme Prize Institute organized the exhibition in the hope that video art could make a contribution to the quality of television – not only directly, by becoming a component of it, but also because it is understood both as a critical accompaniment to the medium and as a field of experimentation.

The exhibition was opened with a discussion about experimental and commercial television, which is printed in the catalog. Works by the most renowned German video artists were exhibited. The catalog documents video works by: Joseph Beuys, Klaus vom Bruch, Peter Campus, Wendelin Glatzel, Klemens Golf, Bernd Kracke, Ulrich Rückriem, Lukas Rahm, Klaus Rinke, Ulrike Rosenbach, Werner Schmiedel, Richard Serra, and Herbert Wentscher.

As of September 2025, KVK, OCLC find only one copy in North America.

Price: €150.00

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